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crosscut question http://prod.lifein19x19.com/viewtopic.php?f=15&t=1160 |
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Author: | entropi [ Wed Jul 21, 2010 2:17 am ] |
Post subject: | crosscut question |
A pattern that I don't understand from "crosscut workshop" of Richard Hunter. Starting position is the following: The book suggests the following pattern: The purpose of Black 1 is given as driving white into blacks thickness above, which is understanable. But I don't understand white 4. Why not something like a or b, which would make a base? Apparently white does not want to give up the two stones on the third line (therefore does not play lightly), but if the aim is escaping into the center isn't 4 too slow for that? Could you suggest reasonable continuations if not too complicated? Thanks in advance! |
Author: | Li Kao [ Wed Jul 21, 2010 2:26 am ] |
Post subject: | Re: crosscut question |
I think then black could cap white and then play the vital point to kill. |
Author: | entropi [ Wed Jul 21, 2010 11:44 pm ] |
Post subject: | Re: crosscut question |
Thanks LiKao. But I still don't understand the meaning of white 4. Where would black cap? Where is the vital point? Is the purpose white 4 making eye shape? This is not at all obvious to me. Anyway it seems that nobody else is interested in this question. Maybe I am missing something severely obvious. The book is also silent about that. I thought it could be a meaningful shape study, but apparently it isn't. |
Author: | Bill Spight [ Thu Jul 22, 2010 12:12 am ] |
Post subject: | Re: crosscut question |
entropi wrote: A pattern that I don't understand from "crosscut workshop" of Richard Hunter. Starting position is the following: The book suggests the following pattern: The purpose of Black 1 is given as driving white into blacks thickness above, which is understanable. But I don't understand white 4. Why not something like a or b, which would make a base? Apparently white does not want to give up the two stones on the third line (therefore does not play lightly), but if the aim is escaping into the center isn't 4 too slow for that? Could you suggest reasonable continuations if not too complicated? Thanks in advance! ![]() |
Author: | entropi [ Thu Jul 22, 2010 3:03 am ] |
Post subject: | Re: crosscut question |
Thanks Bill. But sooner or later white will inevitably approach strong stones, since white cannot escape into the center. ![]() ![]() Then the meaning of ![]() Would white still play it (thus giving black ![]() That's probably what confuses me. I fail to perceive ![]() |
Author: | topazg [ Thu Jul 22, 2010 3:07 am ] |
Post subject: | Re: crosscut question |
I think White now wants "a", but White's shape is good. Don't underestimate the aji ![]() |
Author: | Bill Spight [ Thu Jul 22, 2010 9:33 am ] |
Post subject: | Re: crosscut question |
entropi wrote: Thanks Bill. But sooner or later white will inevitably approach strong stones, since white cannot escape into the center. Better sooner, or better later? ![]() Quote: ![]() ![]() Then the meaning of ![]() What is the first rule of making life? Enlarge your potential eye-space. 4 is a key point for both players. If White plays there first, it will be sente. OTOH, if White simply extends on the third line and allows Black to play there first, it will also be sente -- or maybe worse. Which does White prefer? |
Author: | Exologist [ Thu Jul 22, 2010 3:07 pm ] |
Post subject: | Re: crosscut question |
Doesn't look so good for b now, eh? |
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